Eleven colour grades · .cube · .3dl · .xmp
Colour that lands on the first try.
Grades for Lightroom, Camera Raw and Photoshop, built from measured film and log scans. What you are looking at is one of them — a live colour cube, warping into the Cinevo grade as you scroll.
Scroll to grade the cube
Every colour
your camera saw.
4,096 points, one for each cell of a colour cube. A point's position is its colour: red on one axis, green on another, blue on the third. Nothing has been touched yet.
A LUT moves
every one of them.
That is all a .cube file is: a table saying where each colour should end up. Shadows drift toward cyan, highlights warm, the whole lattice bends. No sliders, no guesswork, no drift between shots.
This one
is Cinevo.
Cool rooms, warm people, highlights that roll off instead of clipping. It is the house look, and it is one of eleven. Every grade here is a different shape of the same cube.
On a real frame
Drag to see what
a grade is worth.
Drag the handle. Arrow keys work too.
Access
Take one look,
or take the room.
One payment, no subscription. Every tier ships the same file formats and the same commercial licence — the only difference is how many looks you get.
Prices in US dollars, excluding tax. Paddle converts to your currency and adds any tax due before you pay.
A few of them
Night, film,
forest, tape.
From download to graded
in about four minutes.
Download
One zip, three formats
Your link arrives by email the moment payment clears. Inside: a .cube and .3dl for Photoshop, Premiere and Resolve, and an .xmp preset for Lightroom and Camera Raw.
Install
Drop it in the profile folder
In Lightroom, use Presets > Import Profiles & Presets and choose the .xmp — it lands in an S&B LUTs group. Photoshop loads the .cube through a Color Lookup adjustment layer.
Adjust
Dial the strength
Every look ships with a suggested strength. Lightroom Classic 12 and later show an Amount slider for these presets; in Photoshop the adjustment layer opacity does the same job. Set exposure and white balance first.
Before you buy
Questions
worth asking.
Will these work on my camera?
Yes. Every look is built against Rec.709 and standard camera profiles, not one manufacturer's colour science, and each one was tested on Canon, Sony, Nikon, Fujifilm and iPhone files before release. If you shoot log, apply your camera's own conversion first, then the look on top.
Lightroom presets or LUTs?
Both, in the same purchase. The .xmp develop preset is what you want inside Lightroom and Camera Raw — Lightroom Classic 12 and later give it an Amount slider. The .cube and .3dl files are for Photoshop, Premiere Pro, DaVinci Resolve, Final Cut Pro and Affinity Photo.
What is the difference between the tiers?
Only how many looks you get. A single look is $9.99, three are $18.99, six are $29.99, and all eleven plus a year of new releases are $49.99. Same formats, same licence, same support at every price.
Can I use these on client work?
Yes. The licence covers unlimited commercial projects for one person, including paid client delivery and monetised video. You cannot resell, bundle or redistribute the files themselves. Full text on the licence page.
What if a look does not suit my work?
Ask for a refund within 14 days and you will get one, no questions and no forms. Digital goods are hard to judge from a sample image, so the guarantee is deliberately simple. See the refund policy.
Who am I actually paying?
Paddle. They are the merchant of record for every order here, which means they handle payment, currency conversion and sales tax, and their name appears on your statement and invoice.